Shutter Enters 3rd Week
Mumbai: When popular
Bollywood writer Manisha Korde was approached to write and adapt cult Malayalam
film Shutter
into Marathi, she was, initially, skeptical about its mass appeal. While she
was certain that the film would draw critical acclaim, she had felt it might
not ride the gravy train at the box office.
Manisha Korde, Script Writer |
“Even though the
history of Marathi cinema is as old as history of films in India, the last few
decades have not been encouraging. Just like ‘Raja Harishchandra’, while
Marathi filmmakers experimented with new and bold themes, they did not evoke proportionate
response at the box office. Critical acclaim was plenty, but without finances it
always would have been difficult for good story telling culture to survive. Many
films that I personally thought were brilliant and should have been
blockbusters only aroused lukewarm interest,” says Manisha Korde, writer of Shutter,
starring Sachin Khedekar, Prakash Bare and Sonalee Kulkarni among
others. The original film in Malayalam of the same name was written and
directed by Joy Mathews.
“It was only
after 2005 that critically acclaimed movies also started making an impact at
the box office. Movies like Shwas, Natrang,
Balak Palak, Prem Mhanje Prem Mhanje Prem Asta, to name a few, became huge
success. Not merely from the point of view of commercial viability of Marathi
cinema, the success of good films also go on to the building of a strong
foundation and thereby, defines the coming of age of Marathi cinema. The high
quality of popular Malayalam cinema is a direct consequence of the foundation
laid by films with tight grammar and parsing by makers like Aravindan, Adoor Gopalakrishnan
and John Abraham in the 80s,” she adds
Shutter starring Sachin Khedekar, Prakash Bare and Sonalee Kulkarni among
others became a runaway success after it hit the screens on 3rd July.
It managed to maintain its ground in Mumbai and Pune against big releases and
continues to be the primary choice for cinegoers in the rest of Maharashtra.
“Shutter
is a film that is simple and straight on the face of it, but has a very
sensitive undertone. The nuances are not very apparent. So I am glad, not just
for myself and other Shutter team members but also for the future of Marathi
cinema, that the audience has enjoyed a film like this and have given it a huge
thumbs up,” concludes Manisha Korde.