Friday 30 October 2015

J P SINGHAL’S PAINTINGS STIR UP THE ART WORLD; ARTISTS DESCRIBE SINGHAL AS RAJA RAVI VERMA OF THE CURRENT ERA


J P Singhal’s Paintings Stir Up The Art World; Artists Describe Singhal As Raja Ravi Verma Of The Current Era

Mumbai: The art world is silently paving way for a new master. After the demise of J P Singhal a little more than a year ago, his original paintings started appearing in the public domain and since then has been stirring up a resurgent interest in the artist. The reclusive artist whose original paintings had very limited public exposure was, ironically, the highest selling painter in India with his works being reproduced over 800 million times.

“J P Singhal’s realistic works are unarguably some of the finest that I have seen. I have always felt that he is the Raja Ravi Verma of this era,” says renowned artist Brinda Miller. And that is a view echoed by many in the art world. His range of mythological works is considered masterpieces that cannot be compared to any paintings across the world. A national award winner, J P Singhal has painted over 2700 original works, most of which belong to private collections.

“I am extremely impressed with the works of J P Singhal. The clarity and distinctiveness are vivid and lifelike. There have been very few painters who could paint with so much vividness, clarity and distinctiveness. I am also very impressed with the way his older works have been preserved,” says art collector and industrialist Parvez Damania.

His first retrospective held in Mumbai last week saw artists, painters, actors, collectors and art aficionados congregating to pay tributes and view the works of the Master. “Even though I have been extensively photographed by J P Singhal, this is the first time I have been exposed to his paintings. This has been an exhilarating experience. The paintings are brilliant and beautiful,” says former Miss India and film star, Juhi Chawla. Ad-man Prahlad Kakkar meanwhile added that he was inspired by the works of J P Singhal to join the advertising profession.

Pradeep Chandra, a close family friend and author of best selling book, “MF Hussain – A Pictorial Tribute” feels J P Singhal never promoted his works as much as he should have. “He was the highest paid painter of his time. Unlike others, he did not need to exhibit his works as they were purchased even before they were completed. One big fallout of this was that when the art market boomed; and Husain and Souza paintings became hot commodities, J P’s painting continued to remain private and out of sight from the art market. But with the family exhibiting the works after his demise, the art world is suddenly in a tizzy and galleries have started scouting for his original paintings,” adds Chandra.

In his early phase J P Singhal was greatly influenced by the ‘wash technique’ in water colours used by the artists of the Bengal school. “This genre of art was very different from the contemporary style adopted by artists of that era. With images that were realistic, distinct and clear, an overall look that was well-finished with soft, smooth and gentle controlled brush strokes, were his signature style paintings. Be it mythological themes, Indian beauties, film stars or rural folk, he evolved a style that was acclaimed by both the popular and critical audiences,” concludes Dinesh Singhal, Director, J P Singhal Foundation.

About J P Singhal: Born on 24th October 1934 in Meerut (U.P.), J P Singhal began painting at the age of ten. At around the age of twenty, his work got noticed in Dharmayug (a popular TOI publication of the time) leading to his first Calendar getting published, which also brought him to the city of Mumbai. Thereafter, he became a household name and no one could better him in fine art realistic paintings. His work included more than 2700 paintings and over 80 crore reproductions of the same on subjects varying from mythology to beauties, to day-to-day life scenes, children, street musicians, tribals, exotic botanical specimens, wildlife, famous temple  sculptures, Ajanta and many others. He also played a pivotal role in the world of Hindi cinema as a prolific Portfolio Specialist, Concept Shoots pioneer and publicity designer and went on to design creatives for over 150 films. He also has published two Coffee Table books dedicated to some of his niche work that include photographs and paintings of Ajanta Ellora and Actresses of Hindi cinema.

Thursday 29 October 2015

HRAWI APPEALS FOR RATIONALIZATION OF IRRELEVANT LAWS SO THAT RELEVANT ONES CAN BE ENFORCED EFFICIENTLY


HRAWI Appeals For Rationalization of Irrelevant Laws So That Relevant Ones Can Be Enforced Efficiently
  •  27% Of Existing Licenses Formulated Before 1950;
  • Sand Buckets in Hotels Mandatory But Modern Fire Fighting Technology Does Not Count
  • "Licence for Chimney under Smoke Nuisance Act" created in 1912 still in force
  • Trivia: “The Eating House Licence” formulated in 1876 is the oldest license

In the wake of the fire disaster at a Kurla eatery in Mumbai, HRAWI, expressing its sympathy, has appealed to the Government to scrap all irrelevant laws so that both the enforcers and the hotels could concentrate on total compliance on all relevant laws and procedures. The industry has complained that it is reeling under a barrage of archaic laws that are unfeasible to comply with and are totally irrelevant.

“For instance, many hotels that have invested heavily in modern fire fighting technology are still required to keep a sand bucket. A sand bucket cannot douse most fires, but if a hotel or a restaurant does not maintain a sand bucket, it can get booked for non-compliance of safety norms. Or take the case of whitewashing a restaurant kitchen, almost all hotel kitchens are tiled, but we still have to provide a certification of white washing,” says Bharat Malkani, President, FHRAI.

The hotel industry today needs a whopping 134 licenses and permissions to operate in Mumbai. A large number of the licenses were formulated when the British ruled India. If the 89 year old “Entertainment Licence on Festival Occasions” was framed by the Britishers for controlling a subject nation, “Licence for Chimney under Smoke Nuisance Act” created in 1912 when food was cooked in firewood is completely irrelevant today. The oldest license is “The Eating House Licence” formulated in 1876. Nineteen of the seventy key licences were formulated before 1950.
“Hoteliers in Mumbai have a tradition of adhering to maximum compliance. If there were any shortcomings, they were mostly minor oversights like being unable to produce a license on time or practical challenges in adhering to outdated laws. But we can assure our patrons that there wasn’t a single case of violation that had a potential to impact their safety or health. Hoteliers are as serious about safety as anyone else. The owners spend more than 16 hours a day in their restaurants and consequently are at a bigger risk than anyone else. When it comes to health and safety norms, we are very careful,” says Mr. Kamlesh Barot, past President HRAWI.
“We want to operate in a system where there are rational licenses, zero ambiguity of laws and clearly defined check list and guidelines provided by enforcing authorities. We wish for a system that works on the principle of accountability and clarity of laws. The Chief Minister’s recent decision to reduce the number of operating licenses to 25 is a step in positive direction. We are hoping that the laws will be rationalized at the earliest,” concludes Mr. Malkani.

About Hotel & Restaurant Association Western India (HRAWI)

The Hotel and Restaurant Association (Western India) is a 65 years old Association of Hotels and Restaurants in Western India. Its members include smaller Hotels up to 5-Star Deluxe categories. The bulk of its members like any growth economy are made up of budget hotels. With around 1300 members across Western India, HRAWI covers Maharashtra, Gujarat, Madhya Pradesh, Chhattisgarh, Goa and the Union Territories of Daman, Diu & Silvassa, and is considered to be the voice of the Hotel Industry. The association is part of the national body of Federation of the Hotels & Restaurants Associations of India (FHRAI), located in New Delhi, which was originally founded in Mumbai in 1950 by the late Mr. J.R.D. Tata.

INDIA’S FIRST RESORT ON THE LINES OF JAPANESE TREE HOUSE CHALET, RUMOURSS SKY VILLA TO OPEN AT LONAVALA, MAHARASHTRA


 INDIA’S FIRST RESORT ON THE LINES OF JAPANESE TREE HOUSE CHALET, RUMOURSS SKY VILLA TO OPEN AT LONAVALA, MAHARASHTRA


Mumbai: Lonavala, the popular hill station getaway from Mumbai and Pune, is all set to feature India’s first resort on the lines of Japanese Tree House Chalets. An architectural feat, the villas at Rumourss Sky Villa & Resort are erected on a single iron mast at a height of about 30 to 40 feet that tremble gently and pleasantly at periodical intervals.

“One of its kind, Rumourss Sky Villa & Resort will forever alter the travel experience of tourists in India. Instead of going for regular structure with more rooms, we decided to make the villas unique and enhance user experience. We house only eight villas in the entire resort. Four of them are sky villas and four ground villas. This will enable us to provide quality service to each of our guests,” says Devang Badiyani, Managing Director, Rumourss Sky Villa & Resort Pvt Ltd.

The resort is expected to be formally opened and fully operational by the end of the month, however guests have been availing services with limited functions since August. Located on the lap of a mountain on one side and a lake across the road on the other, Rumourss is set on a picturesque location with easy accessibility. It houses a fully lit swimming pool and a multi cuisine restaurant.

“With a usable area of 400 sq. feet, each villa comes with a spacious balcony, a cozy attic with
double mattress, 50 inch LED television and free Wi-Fi, beside many other standard and exclusive amenities. With natural hills and forests complementing the background of the resort, the villas themselves are constructed with eco friendly materials to retain the mood of the destination. During the monsoons, guests can enjoy the view of Tata lake right from their Sky villas or visit a private waterfall,” adds Devang Badiyani.

One of the most popular weekend destinations for both Mumbai as well as Pune residents, Lonavala is located 96 kms from the former and 64 kms from the latter. Set on an altitude of about 2000 feet above sea level, Lonavala enjoys a pleasant weather throughout the year.

“It is however most sought during the monsoons and the winter. During the rains, you can literally see life blossoming and earth around you becoming a sea of green interspersed with idyllic blue of still water. The region is also historically significant with many forts and caves including Lohagad fort, Visapur fort, Karla caves and Bhaja caves. The hill station along with its twin Khanadala, sprawl over an area of 38 square kms and are set on the Sahyadri ranges,” concludes Devang Badiyani.

The resort at Lonavala marks the entry of Rumourss Group into hospitality industry. Over the next two years it plans to come up with more projects with its signature style sky villas across India.

Friday 23 October 2015

CMC’S LATEST EXOTIC MARBLE COLLECTION FOR THIS FESTIVE SEASON

CMC’s Latest Exotic Marble Collection For This Festive Season


Mumbai: India’s number 1 stone company, Classic Marble Company (CMC) has introduced a limited edition of exotic natural marble exclusively for this festive season. The collection includes four exquisite and rare marble stones namely Amazonite, Blue Illusion, Thunder Gold and Yellow Macasubas. The stones have been sourced from some of the finest quarries in the world and each marble has a distinct characteristic by virtue of its colour and design pattern.

The Amazonite, a turquoise stone when installed as a feature wall illustrates a work of modern art open to the many interpretations that a mind can perceive. 






The Blue Illusion depicts a land of multi-coloured golden brown mountains and plains with winds of
blue flowing through the entire canvas. Thunder Gold is an exquisite marble with bold colour and design. When book matched, the marble can redefine any space where it’s installed.









The Yellow Macasubas is reminiscent of the sand dunes at Jaisalmer. The golden yellow hues swirl through the marble imitating the traits of fine wood and are a delight as flooring for any contemporary space.

Irrespective of the existing décor, the stones can blend into any space giving a rich feel to a room. Whether installed in a living room, a bedroom, a library or even a kitchen the natural stone defines the energy of a space. 

Thursday 15 October 2015

THE FIRST EVER RETROSPECTIVE EXHIBITION OF LEGENDARY ARTIST J P SINGHAL LAUNCHED OPEN FOR PUBLIC VIEWING AT SIR JJ INSTITUTE OF APPLIED ART, MUMBAI


Artists, Actors, Glitterati Pay Tribute to India’s Leonardo Da Vinci At a Mega Preview

Mumbai: Legendary artist J P Singhal’s first ever retrospective exhibition was previewed today at a gala event at Sir JJ Institute of Applied Art, Mumbai. Titled, “A Retrospective,” the exhibition showcases over one hundred original paintings of the late J P Singhal, chronologically divided into six periods of his life. The event was also marked with number of artists, actors, writers and glitterati including Juhi Chawla, Pooman Sinha, Vishal Bhardwaj, Prahlad Kakkar, Sameer Mondal, Parvez Damania, Maria Goretti, Umesh Mehra, Zeba Kohli, Brinda Miller among many others paying tributes to the Master also known as India’s Leonardo Da Vinci.
(L-R) G.G. Waghmare, Dean, JJ Institute of Applied Art, Umesh Mehra, Juhi Chawla, Poonam Sinha, Author, Photographer Pradeep Chandra
A national award winner and India’s highest selling artist across all forms, J P Singhal has painted over 2700 original works which were reproduced over 800 million times. “In his early phase my father was greatly influenced by the ‘wash technique’ in water colours used by the artists of the Bengal school and the flowing lines of Chugtai. This genre of art was very different from the contemporary style adopted by artists of that era,” says Dinesh Singhal, Director, J P Singhal Foundation.

“With images that were realistic, distinct and clear, an overall look that was well-finished with soft, smooth and gentle controlled brush strokes, were his signature style paintings. Be it mythological themes, Indian beauties, film stars or rural folk, he evolved a style that was acclaimed by both the popular and critical audiences,” he adds.

Juhi Chawla at 'A Retrospective: J P Singhal'
The exhibition, ‘A Retrospective: J P Singhal’ displayed paintings from six decades of his career. The first section comprised of his works between 1950 and 1960. Devoted to the Meerut period, these works comprised of paintings done at the start of his career. The next section featured works done in Mumbai between 1960 and 1970 where he focused on mythological paintings and village beauties. The third section featured works between 1970 and 1990, comprising of works largely devoted to rural India. The fourth, fifth and sixth sections focused on his works from 1980 to 2000, 2000 to 2010 and 2005 to 2014. They focused on film industry related works and black & white photography; recreation of Ajanta & Ellora frescos; and sculptures and abstract forms respectively.

“In the late seventies, enthralled by J P Singhal’s works on rural India, Raj Kapoor invited the former to concieve the look of Zeenat Aman for the film Satyam Shivam Sundaram. So enchanted was Bollywood with the refreshing feel which Singhalsaab introduced that an instant and long association was immediately forged. Through his camera and styling, he conceived the creative feel of several blockbuster movies like Satyam Shivam Sundaram, Shaan, Mr. India, Henna, Tridev, Rocky, Border, Dil, Gadar-Ek Prem Katha, Hero, Betaab and over 150 other films,” says Pradeep Chandra, photographer and friend of J P Singhal for many years.

While working with his friend MF Husain on Gajgamini and Meenaxi, he was drawn towards contemporary art. His curiosity about this new style made him reinvent himself as a contemporary artist. He nurtured his feeling by creating a series of paintings in modern art. In his own words, to satisfy and pamper the child (Shishu) inside him, he made an attempt to create this art and enjoyed at the fullest while doing so.

“J P Singhal and JJ Institute of Applied Art have a very strong association. The school was close to his heart and his first solo exhibition was held here. So we felt it appropriate that his first retrospective exhibition also be held here. Even though more than 800 million reproductions adorned the walls of Indian homes, most of the originals were never made available to the public for viewing. Through exhibitions like these we would like our students and all art afficiandoes to appreciate and enjoy the works of this great artist,” concludes Prof. Shri G.G. Waghmare, Dean, JJ Institute of Applied Art.

About J P Singhal: Born on 24th October 1934 in Meerut (U.P.), J P Singhal began painting at the age of ten. At around the age of twenty, his work got noticed in Dharmayug (a popular TOI publication of the time) leading to his first Calendar getting published, which also brought him to the city of Mumbai. Thereafter, he became a household name and no one could better him in fine art realistic paintings. His work included more than 2700 paintings and over 80 crore reproductions of the same on subjects varying from mythology to beauties, to day-to-day life scenes, children, street musicians, tribals, exotic botanical specimens, wildlife, famous temple  sculptures, Ajanta and many others. He also played a pivotal role in the world of Hindi cinema as a prolific Portfolio Specialist, Concept Shoots pioneer and publicity designer and went on to design creatives for over 150 films. He also has published two Coffee Table books dedicated to some of his niche work that include photographs and paintings of Ajanta Ellora and Actresses of Hindi cinema.

Friday 9 October 2015

RAMA STEEL TUBES LTD’S KHOPOLI PLANT BECOMES OPERATIONAL; TO DOUBLE ITS MANUFACTURING CAPACITY

Rama Steel Tubes Ltd’s Khopoli Plant Becomes Operational; To Double Its Manufacturing Capacity

Increased Output & Strategic Location Expected To Fetch An ROI Of Over 30%

Mumbai: Rama Steel Tubes Ltd. (RSTL), (BSE: 539309; NSE: RAMASTEEL), the leading manufacturer of steel pipes , tubes, Hollow Sections  and G.I. pipes in India has started implementation of its expansion project at Khopoli, Maharashtra. This entails doubling its capacity to manufacture M.S. tubes from 36,000 MT per annum to 72,000 MT per annum. The Khopoli Plant which is the company’s latest addition to its two existing plants at Sahibabad near Delhi enjoys the economic advantage of low transportation cost benefiting exports as well as distribution in the western and southern pipe markets in India. This strategic combination of location advantage and increased output is expected to provide an ROI of more than 30 per cent to the company.

Rama Steel Tubes Ltd is listed on both the Bombay Stock Exchange (BSE) and the National Stock Exchange (NSE) with current market capitalization of Rs. 130 crores.

“Adding the plant at Khopoli was a decision based on anticipated benefits for the growth and profitability of the company. Our exports already constitute 30-35 per cent of our turnover and markets around Mumbai and South India have tremendous demand for Hollow Sections and Tubes,” says Mr. Richi Bansal, Executive Director, Rama Steel Tubes Ltd.

Rama Steel Tubes Ltd’s Khopoli plant came into commercial production in June 2015 and has a total installed capacity of 36,000 MT. The company has acquired 20 acres of land at Khopoli with a capacity to manufacture around 36,000 MT Pipes, Tubes, and Hollow sections per annum. With productivity at 72,000 MT the plant is expected to impact the top line and bottom line of the company.

Rama Steel Tubes Ltd reported gross sales of Rs.49 crores, EBITDA of Rs.2.14 crores and PAT of Rs.0.48 crores in Q1 FY 2015. Despite poor demand in construction and weak global economy and falling steel prices in the previous year, the company registered profits of 0.68Cr in FY 2014-15 and 2.1Cr in FY 2013-14. RSTL has a track record for consistently being a profit making company.

About Rama Steel Tubes Ltd.(RSTL): Incorporated in the year 1974, RSTL is an accredited organization dealing in manufacturing, supplying and exporting of steel pipes, steel tubes and Hollow Sectionss. An ISO 9001:2008 standards company, RSTL has earned the recognition for high quality and in the last four decades has built committed dealer networks and exports. The company has also floated a wholly owned subsidiary company viz. RST International Trading FZE in Dubai with the objective of exploring international business in steel products, concentrating its business in Africa, mainly in Ethiopia, Sudan, Somalia Ghana and UAE. NSE Symbol: RAMASTEEL, BSE Code: 539309, ISIN: INE230R01019, CIN: L27201DL1974PLC007114 | www.fence-steeltubes.com.

Thursday 8 October 2015

“GERMAN SUBSIDIARIES IN INDIA TO BENEFIT FROM CHANCELLOR ANGELA MARKEL’S VISIT TO INDIA” – RAJESH CHAWLA, DIRECTOR, VEKA INDIA


“German Subsidiaries In India To Benefit From Chancellor Angela Markel’s Visit To India” – Rajesh Chawla, Director, Veka India

Mumbai: Following the recent visit of German Chancellor Angela Merkel to India, VEKA India, a subsidiary of VEKA AG – the world’s second largest manufacturers of windows and doors systems has reiterated its plans to expand in India by introducing new products specific to the Indian market and by expanding its geographic footprint. The US 1.4 Billion company is one of the pioneers of uPVC door and windows systems in India and has recently completed ten years in India.

“The visit of the Chancellor is not only expected to boost trade ties between the two nations but is
Mr. Rajesh Chawla, Director
VEKA India
also expected to help German subsidiaries entrench their businesses in India. Both the leaders were very clear in their communication. While the Indian PM focussed on facilitating ease of
doing business in India, removing concerns of investors and driving growth through software, the German Chancellor focused on the fusion of India’s IT expertise and German Engineering. Ms. Merkel also welcomed the fast-track approval agreement signed on Monday. This will ensure that German companies have a single point of contact with the Indian government, and thus avoid the layers of bureaucracy,” says Mr. Rajesh Chawla, Director, VEKA India.

In line with the Indian Prime Minister’s ‘Make in India’ vision, VEKA India will also be looking at boosting its growth by manufacturing the systems domestically at its facility in India in the near future. Currently its 20,000 sq feet facility in Navi Mumbai has a sophisticated display center as well as German made state-of-the-art testing rig to test windows for water and air tightness and other performance criteria. “The exacting standards and precision engineering that Germany is world renowned for are adopted by us to create uPVC windows and door systems that are suitable for Indian conditions,” added Mr. Chawla. “When VEKA AG entered the Indian market in 2003, the uPVC door and windows market was very rudimentary. We have invested time and efforts in familiarizing the Indian market with the benefits of uPVC fenestration and are planning on rapid expansion from here on.”

Between India and Germany, there is good room for expansion despite an annual trade volume of 16 billion Euros and German businesses want to emphasize their contribution in the making of smart industries’ age.

The overall market size of PVC window profiles in India is about 40,000 tons in an annum. In Germany, VEKA by itself surpasses the figure in less than a month. Today, uPVC is the popular choice for windows and doors in all of Europe and America. Being rigid, durable and recyclable besides being cost-effective, this material is fast replacing the traditional wood or aluminium profiles across the world. With German technology on Indian turf, we intend to back the Make in India ideology with our commitment to quality offerings. With our latest range we hope to extend both choice and innovation to our customers and we are positive our profiles will be the future of window and door installations,” concludes Mr. Chawla.

About VEKA India: In India, the company started operations in Gurgaon – Delhi NCR a decade ago. Today, VEKA India is vendor to some of the leading companies and has provided uPVC window and door systems to India’s premier and well-designed homes and offices. Its 20,000 sq. ft. facility in Navi Mumbai houses a state-of-the-art warehouse and distribution set up, a fabrication training workshop and a Window Testing rig along with an application centre. VEKA India, as a part of the worldwide VEKA Group, remains a wholly family-owned business, just as it has always been since its foundation in 1967.
About VEKA AG: A US $ 1.4 Billion Group company with its origins in Germany, VEKA has been a leading player in the uPVC industry for almost as long as the material has been used for door and window frames. The Group employs more than 3600 people through 25 subsidiaries in three continents around the world. Its manufacturing facilities are spread across Germany, Great Britain, France, Spain, Poland, USA, Russia, Mexico, China & Malaysia. The VEKA Group generated US $ 896 million turnover in 2013. Internationally, more than 2200 fabricators use VEKA systems to create top-quality uPVC products.